My research is on the social and religious context of the marionette theatre in Quanzhou, southern Fujian, and the Gaoxiong and Tainan area. As part of my research I collect data on all forms of performing arts in both Taiwan and Fujian. Over the past ten years I have spent four years in Fujian and two years in Taiwan. In Taiwan I have collected some material on strippers and the organization of related entertainment. I interviewed the comic Tuo Xian who was one of the first organizers of strip shows in Taiwan. The performance of striptease at funerals, but also at real estate promotions and other occasion, started some 20 years ago and peaked during the mid-80s I also interviewed strippers and show dancers, who performed during rituals, as well as during secular performances. Some had performed at the Shizi Lin the biggest strip joint in Taipei that is still operating.
The performance of striptease during ritual is probably the result of the changes in the Taiwan entertainment market over the past decades. In my study of traditional Chinese theatre in both Fujian and Taiwan it became clear that overt and crude language with an explicit sexual content were an important part of the performing arts. In funeral performances of the Mulian we also find improvised dialogues on the virility of the deceased in great detail indeed. The performance of striptease may therefore have a function that surpasses that of pure entertainment. The virility of the male and the related production of offspring may be expressed and visualized in explicit language or an erotic dance. There is a strong and potent erotic substratum in numerous Chinese rituals, that are indeed meant to incite sexual activity and the ensuing birth of offspring. I have found at several occasions that soft and hard porn videos are shown at different rituals in mainland China.