Forty years after the death of Elvis Presley, two-time Sundance Grand Jury winner Eugene Jarecki’s new film takes the King’s 1963 Rolls-Royce on a musical road trip across America. From Memphis to New York, Las Vegas, and beyond, the journey traces the rise and fall of Elvis as a metaphor for the country he left behind. In this groundbreaking film, Jarecki paints a visionary portrait of the state of the American Dream and a penetrating look at how the hell we got here. A diverse cast of Americans, both famous and non, join the journey, including Alec Baldwin, Rosanne Cash, Chuck D, Emmylou Harris, Ethan Hawke, Van Jones, Mike Myers, and Dan Rather, among many others.
Credited cast: Alec Baldwin ... Himself Tony Brown ... Himself James Carville ... Himself - US Political Analyst Rosanne Cash ... Herself Chuck D ... Himself Maggie Clifford ... Herself Lana Del Rey ... Herself Emi Sunshine & The Rain ... Themselves EmiSunshine ... Herself Radney Foster ... Himself Patricia Gaines ... Herself Mary Gauthier ... Herself Emmylou Harris ... Herself Ethan Hawke ... Himself John Hiatt ... Himself
Details
Official Sites:
Official site
Country:
Germany | USA
Language:
English
Release Date:
22 June 2018 (USA) See more »
Also Known As:
Promised Land See more »
User Reviews
A Best doc of the year and a brilliant collage of images about Elvis and America.21 July 2018 | by jdesando – See all my reviews
"Celebrity is the industrial disease of creativity." Mike Myers
It is commonly thought that America is in decline for the greatness it knew after WWII. Writer/director Eugene Jarecki has a vision in The King of a similar decline in Elvis Presley' life from unique, authentic talent to a has-been dead in his forties. This best-so-far-this-year documentary begs us to consider the analogy although to its credit, it does not force the similarities.
The film's interesting conceit suggests that both subjects bear their own responsibility for their descent-Elvis giving into commercialism and drugs, America, well, introducing itself to solipsism and commercialism, culminating in the election of Donald Trump. While America is a decline in progress, Elvis gave up 30 years ago but has never been forgotten.
That's the rub-he achieved artistically and financially beyond even Col. Parker's wildest expectations, but Elvis was not able to handle the fame or the money. Or maybe when you can buy all the cheeseburgers and drugs you want, you can watch your belly grow as your mind shuts down. Jarecki uses Elvis's 1963 Rolls Royce to have performers like Immortal Technique and Emi Sunshine sing in the back seat about America.
As Jarecki winds in the Rolls from Memphis to New York, Vegas, and back to Memphis, it slowly becomes clear this should been one of Elvis's pretty Cadillac's; how ironically perfect that it's a Rolls, so out of touch with his roots.
Besides the simple lamentation of greatness gone too soon is the argument that Elvis appropriated Black culture on his road to fame and wealth. Although arguments abound on both sides, this point illustrates the varied richness Jarecki brings to his documentary,
At any rate, having just watched Whitney about her great voice and its descent with the help of drugs, I am dismayed that such is sometimes the fate of the great. America is no different, and the frequently-montaged images from presidents to celebrities are sometimes surprising, sometimes depressing, but never dull. Jarecki has a gallery of shots that would be impressive even without sound. It's a museum of our glory and our loss.
Along this nostalgic road, and America itself seems to be stuck there without a clue about how to save its future from the decision it made in 2016, is the prevailing idea that Elvis also followed the money and the easy way. We see how he ended up, so can we learn and make some tough decisions now?